| | Will you kill me if I say I was disappointed in Les Mis? A 1000 page novel is difficult to adapt to the stage unless you steadfastly stick to essentials. I don't think the scriptwriter(s) did that. They tried to cram too much into three hours, with the result that everything moved so fast and was treated so slightly that it didn't move me. That wouldn't bother me so much if it wasn't for the fact that they emphasized insignificant subplots and gave too much time to relatively unimportant details. (Can you say Epinine?)
brb - laundry!!!!
back - somebody took my laundry out and put it on a table; I think they should do what my siblings do at home - put my clothes in a laundry basket and take it up to my room for me 
Anyway, to resume. I was disgusted with their treatment of the Thenardiers. The longer I live the more I'm inclined to agree with Mr. Callihan's stance on profanity and obscenity in art. It's not right and it's not necessary. If the playwriters had intended to contrast the Thenardiers' atheism with Jean Valjean's faith, I would be more lenient. But they made them comic figures. They were foul, crude, profane, and disgusting, but obviously intended to be amusing. It was revolting. WHY do people enjoy obscenity? A Campbell student told me yesterday that "Thenardier was cool." I was angry.
Another thing about Les Mis. Do any of you have an idea how the French rebels/revolutionaries fit into the main theme of story? I could see the justice vs. mercy theme as it developed during the first half, but in the second half when the musical got into the fighting, I lost that thread, and I couldn't figure out how it meshed with the justice/mercy theme. It was supposed to bring about a new world, but the exact character of that new world was hard to fathom. At the end it was pretty much "let's all love each other!" And I think that's a trivialization of the themes it's been exploring.
I had the same complaint about The Count of Monte Cristo. Modern art is much better at raising questions than providing satisfactory answers. And it won't get any better until artists look to Christ and Christ alone to answer and to satisfy. |
| | Posted 2/15/2004 9:11 PM - 1 view - 6 comments
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