|
episteme_sundays
|
read my profile
sign my guestbook
Name: Austin S. Lin Gender: Male
Interests: energy, contemporary art, acting, filmmaking, fencing, jazz saxophone, classical piano, poetry, travel, languages, oceans, carnivorous plants. Occupation: Engineering Industry: Consumer Goods
Message: message meEmail: email me Website: visit my website AIM: LinAustinS
Member Since:
8/30/2004
Premium
|
|
SubscriptionsSites I Read
|
|
|
|
| epi(cure)
gangnam | korea
| | |
| epi(cure)

fuzhou | china | | |
| Waiting for Sedaris.

So there are at least, like, 1000 people here.
I'm in a Barnes and Noble flanked between a long shelf of books on graphic design and another stacked to the sideburns with Chuck Klosterman paperbacks.
In fact it's six o'clock in the evening on a weeknight and the rush-hour subway I just got off of looked just like this room.
Except with fewer books.
The reading starts at seven thirty.
People seem to be simultaneously giddy and irritated and all I know is that if I get checked in the rib-cage one more time by another fake Chanel purse I just know I will absolutely lose it.
David Sedaris is at the start of his "Engulfed in Flames" book tour and tonight he has picked this room. The room with 1000 people in it. That says a lot about his fan base. That does not say a lot about how B&N follows city ordinances on fire codes. Dude.
When one is in crowds such as this one, there are some basic city rules to be adhered to. Everyone is jammed so densely together you can practically taste their tall skinny vanilla latte. You can hear what everyone is saying around you, but you have to pretend that you don't. Eavesdropping isn't what's rude. It's allowing others to realize that you have been eavesdropping--that's a damn social faux pas right there. Another girl near me swears that she is not looking for a boyfriend, only a "boy toy." Because it's a good "dinner deal to do".
Whatever that means.
A feller next to me is telling his friend about his blog. He is abstaining from sexual activity for 100 days and will be writing about his experiences. He wants to find some way of working tonight's book signing into his blog. Maybe he'll write about the guy next to him who LOOKS like he's re-reading Klosterman's "Killing Yourself to Live" when in fact, he's really listening in to this manifesto of abstinence. Which has made it into this blog, making everything all self-referential and all.
So ANYWAY the girl next to me is trying very hard to sneak pretzels out of her purse to snack on. She better keep it on the down low in case anyone sees her. This irks me somewhat because (a) I don't think Barnes & Noble has any posted policies about eating anything in its stores, much less something as non-cafe-chic as Rold Gold pretzels (b) Why the stealth? We're so close I can feel you eating pretzels.
I try not to think of such things.
So I think of other things.
Like why bookstores have to hire security guards that are more visually suited to wrestle leather-clad titans out of back alley biker bars. What's the security threat in typical bookstore clientele? If you catch someone sneaking a 3000 page tome of The History of Art down their trousers, I would imagine anyone wearing a Barnes & Noble lanyard could stroll up and say, "Excuse me. I couldn't help notice that you're trying to shoplift The History of Art. Please put it back before I call the police." Stealing is shifty in general, much less when it's applied to books. Hanging the possibility of being drawn and quartered by a retired state university linebacker seems a little, well, over the top.
David Sedaris finishes his reading. He is starting to sign books. Bookstore employees are wrangling the signing line folks into some semblance of order. "Be sure your book is turned to this page." one of them warns. ("Or else! See this linebacker in the ill-tailored blazer? He's going to absolutely wreck you if you disobey.")
People are starting to take hopeless photos from two hundred feet away of the author. Digital cameras on maximum zoom will disappoint the hopeful star-catchers who will inevitably end up with what will look like a perspective-altered fingertip-sized David Sedaris rocking an Athena-inspired climb out of someone's head.
It's ten o'clock on a schoolnight. David Sedaris was praised earlier by the B&N staff that hewas one of the few authors that would stay until the absolute end sothat every one of his readers that wanted a signature would get one. That's way rad.
The signing line leads into a seating area which is filled with people waiting to get in another line. There are roughly 7 people per row, 13 rows per block of chairs, and roughly two and a half blocks total. I guesstimate that's around 200 people, plus or minus. The average book signee is spending roughly 1 minute meeting David Sedaris and getting on average 2 copies of the book signed. Let's say for the sake of keepin' it real that about 10% of the seats in this commuter-sized population of readers are empty. That's 180 people. That's 180 minutes.
That's, like, 3 hours.
I'm going home, man.
But I can't move.
I hope there's not a fire.
| | |
| I Like to Push Buttons.
The New York City Taxi Commission and new taxi rules and regulations have caused lots of fuss among the taxi-driver world but the ultimate outcome has been these WelcomeToTheFuture style services in most cabs.
Now most cabs accept credit card and, while you are cooling your heels in the back seat, an interactive screen updates you on the news, the weather, and even fun map/ GPS stuff to tell you where exactly in Manhattan you are.
And then there are these great buttons.
On the screens, at some point in your journey, you will get asked if you would like to pay by credit card or by cash.
Typically, this screen will not show up until you are at your destination and you are ready to square up and settle the cab tab.
If, however, this screen should pop up because of an accidental brushing of mission control in the front seat by your cab driver, bear caution.
The buttons...let me tell you, are screaming to get pushed. They're about 2" x 3", large, luminous, their shade of azure that's somewhere between that blank TV glow from the movie Poltergeist and the beckoning call of the deep blue Caribbean. Blue, let me tell you.
One says CASH and the other says CREDIT. What's not shown is the quiet, subtle siren song of "Push me now. Don't wait. Who cares if the cab is ready? YOU'RE ready."
Especially if you're like me and become easily entranced by bright glowing lights.
So the cab driver turns to me and says, "Hey, do you plan to pay cash or credit card? I just want to know because I'm going somewhere afterwards and I'll need cash, but if you pay me cash I won't stop for cash and instead will go straight to my--------" and on and on.
I took this as a subtle sign that some higher force was giving me the warm, hand-clasped permission to push the button of my choice.
And I nearly leaped from my reclining position, finger extended like a musketeer charging into the front lines. CASH CASH CASH
Somewhere up front, the receipt machine closed out the meter and started printing my receipt.
At this point, everything stopped. And there we were, on 9th Ave and SomewhereSouthOfTheFinancialDistrict.
"I thought you said Eighth and 26th?" the cab driver inquired.
What?? You think this is somehow my fault? I thought, but not out loud. Oh, I guess it is my fault.
"Haha. Yeah. Well, I was..you know..."
I smiled politely, lest I get ejected from the cab.
I eventually arrived at my destination safely. Eventually, keeping my hands to myself the whole time.
||||
| | |
| The Couple in Row 27.
One of the benefits to pseudo red-eye flights like the one I'm on is that because it's so late at night, there are very few passengers aboard and chances are, you can get the exit row seat all to yourself as your Boeing 757 carts you off back to the northeast.
For some people, opportunities like these present the time in which one is forced to do something, even if that something is nothing, for two hours.
Some people like to catch up on reading. Others catch a 2 hour power nap so they have the endurance to drive home. Others think about how long it's going to take for them to catch the M60 into Harlem and then port their luggage down into the labyrinth to catch the 6 train to the Bronx.
Others, like the couple behind me, like to sing.
We're not talking humming or a quick whistle of inspiration. Singing.
Like "The Best of the 80s Volume 1" singing.
Like "Two tickets to paradise." sung by a girl in a Disney Princess kinda voice. Followed by, the guy:
"No, no...it's 'Two tickets to PAH-RAH-dice! More like PAH-RAH-dice!"
"Paradise!"
"Yeah, PAH-RAH-dice!"
"Twooo ti-ckets to paaa-ra-dieeees..."
"No, like, PAH-RAH-DAEEEEECCCEEE. PAH-RAH-DAESS!"
"Paradise..."
"Yeah. PAH-RAH-DAESS! Yeah!"
"Paradiiiiice."
"And then there's the classic <some guitar solo, except with a voice imitating an electric guitar with reverb>" Hey, I can spell "onomatopoeia," but I can't exactly write out the particular mellifluous set of sounds that emanated from The Fountainhead of 80s Pop Culture sitting behind me at this particular moment.
So let me get this straight. How do you pronounce "paradise" again?
And so on and so forth.
Slowly, one syllable at a time, there they were ,the Couple in Row 27, reminding each other that right down nostalgia lane was an 80s big hair back-alley full of Stray Cats, Cars, and all.
Hey, listen, I LIKE 80s music. I was just a kiddo but I listened to Quiet Riot. I lip synched Tarzan Boy when Baltimora sung it live on Solid Gold. I watched Mama's Family (nothing to do with music, but I think it came on just before Solid Gold so, naturally...)
And in fact, I don't mind when 80s music is sung to me. I'd air guitar Axl Rose with anyone willing to go down that path of friendship faster than you could say Aqua Net.
But not now. Not at 11:00 at night. On a plane. Not when the plane is circling Long Island for 25 minutes because there's traffic in the air above Laguardia.
Not tonight. Please. Not when I'm this tired and once we land, I'll still be at least 2.5 hours commute distance from my bed.
Not when, for each excruciating finger-drums-on-the-arm-rest that
resonates from behind me, it feels as if Motley Crue is auditioning automobile collisions in my inner ear.
I will take this opportunity, though, to say that at least her feet didn't smell bad.
How do I know about her FEET? you ask.
Well, my seat was 26D, on the aisle, and her toes must've been, oh, let's say, 26D 1/2---that little crevice of empty space that's actually between 26D and 26E, you know?
I was gonna go on to say that the couple's singing sounded as if they were sitting right next to me. But I guess TECHNICALLY, her toes were right next to me. All ten little piggies.
I was too exhausted to sing along or complain. Wheeee, wheeee, wheeee, alllll the way home.
| | |
|